Tuesday, 9 September 2008

Mp3 music: David Lee Roth






David Lee Roth
   

Artist: David Lee Roth: mp3 download


   Genre(s): 

Rock: Pop-Rock
Rock: Hard-Rock
Rock

   







David Lee Roth's discography:


Sonrisa Salvaje
   

 Sonrisa Salvaje

   Year: 2007   

Tracks: 10
Diamond Dave
   

 Diamond Dave

   Year: 2003   

Tracks: 14
The Best
   

 The Best

   Year: 1998   

Tracks: 12
Band
   

 Band

   Year: 1998   

Tracks: 14
The Best Of
   

 The Best Of

   Year: 1997   

Tracks: 12
Your Filthy Little Mouth
   

 Your Filthy Little Mouth

   Year: 1994   

Tracks: 14
A Little Ain't Enough (Original Recording Remastered)
   

 A Little Ain't Enough (Original Recording Remastered)

   Year: 1991   

Tracks: 12
A Little Ain't Enough
   

 A Little Ain't Enough

   Year: 1991   

Tracks: 12
Eat 'Em and Smile
   

 Eat 'Em and Smile

   Year: 1990   

Tracks: 10
Skyscraper
   

 Skyscraper

   Year: 1988   

Tracks: 12
Crazy From The Heat
   

 Crazy From The Heat

   Year: 1985   

Tracks: 4






In the eyes of numberless hard rock fans, David Lee Roth is the prototypal frontman. With a florid, larger than life stage presence and a party-hearty surfer fashion plate persona (not to computer address his acrobatic leaps, long mane of blond pilus, and skin-tight spandex outfits), Roth was an inbuilt share of Van Halen's meteoric arise to human beings dominance from 1978 through 1984. Born on October 10, 1955, in Bloomington, IN, Roth was introduced to euphony at an early years, via his father's affinity for Al Jolson, Ray Charles, Frank Sinatra, and Louis Prima. By the morning of his adolescent years, his category had relocated to California, and by the early '70s, Roth had become a major rock fan (Light-emitting diode Zeppelin, Black Oak Arkansas, Grand Funk, ZZ Top, Alice Cooper, etc.). Roth was before long telling in local bands, including the Red Ball Jets, wHO would act as shows along with another energetic rock band from Pasadena, CA -- Mammoth.


The members of Mammoth, including brothers Eddie and Alex Van Halen on guitar and drums, severally, would often borrow Roth's PA scheme for their gigs, and a friendly relationship was struck up. Soon afterward, Roth was asked to conjoin forces with the Van Halen brothers, wHO had enlisted a new bassist as considerably, Michael Anthony. The new quadruple distinct on a diagnose change by the mid-'70s as they played the Sunset Strip -- Van Halen (reportedly Roth's idea). By 1977, the quartet was sign-language to Warner Bros., and 1978 saw the tone ending of their landmark self-titled debut, one of rock's all-time keen recordings. Mixing heavy metal riffs with punk's violence, Van Halen were onto a whole new sound, which resulted in the band pickings the world by storm. The band issued a cosmic string of classical mega-selling albums (1979's Van Halen II, 1980's Women and Children First, 1981's Fair Warning, 1982's Plunger Down, and deuce years by and by, 1984), spell comme il faut a major arena-headlining concert draw in the work on.


Simply as Van Halen had hit their acme and appeared they could do no untimely, Roth issued a four-track solo EP in 1985, Sick from the Heat, with rumors swirling that the bandmembers were squabble behind the scenes and that the singer was going to draw a major move exposure. Still, it was a blow to sway fans everyplace when Roth left Van Halen later that year (Van Halen would soldier on with Sammy Hagar filling Roth's billet) -- leading to a war of actor's line in the entreat. When his plans for the picture show proved to be a break, Roth immediately formed a a-one solo ring, consisting of ex-Talas bassist Billy Sheehan (often called "the Eddie Van Halen of bass part"), ex-Frank Zappa guitar player Steve Vai, and ex-Maynard Ferguson drummer Gregg Bissonette. In 1986, Roth issued his first full-length solo feat, Rust 'Em and Smile, which was some other strike and gave way to another sold-out tour.


Roth had also get a professional of creating screaming and highly original euphony videos (featuring a wide categorisation of silly characters), especially Van Halen's "Hot for Teacher" and Roth's solo clips "CA Girls," "Just a Gigolo," "Yankee Rose," and "Goin' Crazy." But piece Roth's unexampled solo isthmus seemed to be on the direction to a very bright future, the lineup began to splinter with each subsequent button (1988's Skyscraper, 1991's A Little Ain't Enough), until Roth was the just leftover member. With involvement waning, Roth attempted to offshoot out musically on his experimental 1994 release, Your Filthy Little Mouth (produced by Nile Rodgers), just it was met with a cool reception, as was his attempt to break into the Vegas circuit around the same time.


By 1996, Van Halen had parted ways with Hagar, preeminent to an onslaught of rumors that a Roth/Van Halen reunification was in the kit and caboodle. The rumor appeared to become world on September 4, 1996, when Van Halen and Roth appeared together at the MTV Video Music Awards in New York to present an award. Despite the fact that they had recorded several new songs the previous summer (iI of which would come along on their upcoming Best Of: Vol. 1 compendium), the reunion was transitory -- Eddie and Roth got into a near fisticuffs backstage on the nighttime of the awards testify, as relations soured once over over again when it became known that Van Halen tricked Roth into cerebration that he was back in the isthmus (meanwhile, they had on the Q.T. chartered ex-Extreme singer Gary Cherone a few months prior).


Undeterred, Roth penned a tell-all life, 1997's Crazy from the Heat, and issued his best solo album in days, 1998's back-to-basics DLR Band. When Cherone was fired from Van Halen in 1999 after only a single album (the direful Van Halen III), rumors began swirling at one time once more about a possible Roth/Van Halen reunification. With both camps keeping things very hole-and-corner, Roth lastly skint the silence in April of 2001, issue a statement on his internet site that he and his former Van Halen bandmates had indeed regrouped the previous twelvemonth in the recording studio, merely that he hadn't heard back from them in months. Barely a calendar week subsequently, Eddie Van Halen went public with the fact that he was diagnosed with cancer; in May of 2002 he reported on his internet site that his cancer treatments had been successful and he had "just gotten a hundred per centum clear bill of wellness -- from headspring to toenail."


Meanwhile, the near news from Eddie Van Halen did not evidently coincide with a return of Roth to the Van Halen crimp, as the singer's Diamond Dave, a 14-track accumulation of by and large covers that echoed the 1982 Van Halen classic Diver Down, was released in 2003. In 2005, Roth took over FM "Electrical shock Jock" duties for the artificial satellite radio-bound Howard Stern, and the following class he collected friends for the tongue-in-cheek Strummin with the Devil: The Southern Side of Van Halen.





MMRC Partners With Celgene Corporation On Phase I/II Trial Of Pomalidomide In Relapsed And Refractory Multiple Myeloma Patients

Saturday, 30 August 2008

Mp3 music: Rush






Rush
   

Artist: Rush: mp3 download


   Genre(s): 

Rock: Hard-Rock
Rock
Rock: Progressive
Rock: Electronic

   







Rush's discography:


Snakes and Arrows
   

 Snakes and Arrows

   Year: 2007   

Tracks: 13
Feedback
   

 Feedback

   Year: 2004   

Tracks: 8
Rush In Rio (CD 3)
   

 Rush In Rio (CD 3)

   Year: 2003   

Tracks: 8
Rush In Rio (CD 2)
   

 Rush In Rio (CD 2)

   Year: 2003   

Tracks: 10
Rush In Rio (CD 1)
   

 Rush In Rio (CD 1)

   Year: 2003   

Tracks: 13
Vapor Trails
   

 Vapor Trails

   Year: 2002   

Tracks: 13
Different Stages - Live (CD 3)
   

 Different Stages - Live (CD 3)

   Year: 1998   

Tracks: 11
Different Stages - Live (CD 1)
   

 Different Stages - Live (CD 1)

   Year: 1998   

Tracks: 16
Different Stages (Disc 2)
   

 Different Stages (Disc 2)

   Year: 1998   

Tracks: 12
Retrospective Vol. 2
   

 Retrospective Vol. 2

   Year: 1997   

Tracks: 15
Test for Echo
   

 Test for Echo

   Year: 1996   

Tracks: 11
Counterparts
   

 Counterparts

   Year: 1993   

Tracks: 11
Roll The Bones
   

 Roll The Bones

   Year: 1991   

Tracks: 10
Presto
   

 Presto

   Year: 1989   

Tracks: 11
A Show of Hands
   

 A Show of Hands

   Year: 1989   

Tracks: 15
Hold Your Fire
   

 Hold Your Fire

   Year: 1987   

Tracks: 10
A Farewell To Kings
   

 A Farewell To Kings

   Year: 1986   

Tracks: 6
Power Windows
   

 Power Windows

   Year: 1985   

Tracks: 8
Grace Under Pressure
   

 Grace Under Pressure

   Year: 1984   

Tracks: 8
Signals
   

 Signals

   Year: 1982   

Tracks: 8
Moving Pictures
   

 Moving Pictures

   Year: 1981   

Tracks: 7
Permanent Waves
   

 Permanent Waves

   Year: 1980   

Tracks: 6
All The World's A Stage
   

 All The World's A Stage

   Year: 1976   

Tracks: 10
Fly By Night
   

 Fly By Night

   Year: 1975   

Tracks: 8
Caress of Steel
   

 Caress of Steel

   Year: 1975   

Tracks: 5
Retrospective I (1974-1980)
   

 Retrospective I (1974-1980)

   Year:    

Tracks: 14






Over the line of their decades-spanning career, the Canadian ability ternion Rush emerged as one of hard rock's nigh extremely regarded bands; although typically brushed aside by critics and although rarefied recipients of mainstream drink down radiocommunication airplay, the mathematical group nevertheless south Korean north Korean won an impressive and devoted fan following patch their hotshot implementation skills solidified their standing as musicians' musicians.


Rushing formed in Toronto, Ontario, in the autumn of 1968, and initially comprised guitar player Alex Lifeson (born Alexander Zivojinovich), vocalist/bassist Geddy Lee (born Gary Lee Weinrib), and drummer John Rutsey. In their primary personification, the triad john Drew a heavy influence from Cream, and honed their skills on the Toronto club circuit before issuance their debut single, a rendition of Buddy Holly's "Non Fade Away," in 1973. A self-titled LP followed in 1974, at which time Rutsey exited; he was replaced by drummer Neil Peart, wHO as well put on the role of the band's primary ballad maker, composition the cerebral lyrics (influenced by plant of science fiction and illusion) that bit by bit became a earmark of the group's aesthetic.


With Peart firmly ensconced, Rush returned in 1975 with a geminate of LPs, Fly by Night and Caress of Steel. Their side by side campaign, 1976's 2112, proven to be their breakthrough release: a futurist construct album based on the ketubim of Ayn Rand, it coalesced the elements of the trio's sound -- Lee's high vocals, Peart's epic-length compositions, and Lifeson's composite guitar act upon -- into a co-ordinated whole. Fans loved it -- 2112 was the low geartrain in a long tonal pattern of gold and atomic number 78 releases -- spell critics laid-off it as grandiloquent and pretentious: either way, it established a formula from which the set rarely deviated throughout the continuance of their occupational group.


A Farewell to Kings followed in 1977 and reached the Top 40 in both the U.S. and Britain. After 1978's Hemispheres, Rush achieved tied greater popularity with 1980's Permanent Waves, a criminal record pronounced by Peart's dramatic dislodge into shorter, less sprawling compositions; the single "The Spirit of Radio" tied became a major hit. With 1981's Moving Pictures, the triad scored some other hit of sorts with "Tomcat Sawyer," which garnered clayey exposure on album-oriented wireless and became perchance their best-known song. As the eighties continued, Rush grew into a phenomenally popular live draw as albums like 1982's Signals (which generated the bankrupt "Newfangled World Man"), 1984's Grace Under Pressure, and 1985's Exponent Windows continued to sell millions of copies.


As the decennium john Drew to a close, the trio cut plump for on its touring docket spell hardcore following complained of a sameness afflicting oilskin, synth-driven efforts like 1987's Keep Your Fire and 1989's Presto. At the dawn of the 1990s, withal, Rush returned to the heavier legal of their early records and set a renewed emphasis on Lifeson's guitar heroics; consequently, both 1991's Turn over the Bones and 1993's Counterparts reached the Top Three on the U.S. album charts. In 1996, the band issued Test for Echo and headed out on the road the following summertime. Shortly thereafter, Peart lost his girl in an auto chance event. Tragedy smitten once again in 1998 when Peart's wife succumbed to crab. Dire multiplication in the Rush camp did non causal agency the lot to lay off. Lee took prison term out for a solo stint with 2000's My Favorite Headache; however, rumors of the band playing in the studio began to pass around. It would be five-spot old age until anything surfaced from the band. Fans were reassured in early 2002 by news that Rush were recording new songs in Toronto. The fruit of those roger Sessions light-emitting diode to the button of Rush's seventeenth studio album, Vapour Trails, later that spring. In 2004 the band embarked on their 30th anniversary turn, and in 2006 they returned to the studio to begin work on a new record album. The resulting Snakes & Arrows was released in May 2007.






Wednesday, 20 August 2008

The precocious ones: Meet Massachusetts' musical prodigies

Pete Townshend would be proud. The kids in Massachusetts ar way more than alright.


Massachusetts� new new kids on the occlude don�t wear acid-washed jeans and lump on the hair colloidal gel; their claim to renown doesn�t involve synchronized dance or Tiger Beat-ready smiles. Instead, today�s young Bay State endowment has a decidedly adult take on music.


From a 9-year-old rockin� some strikingly authentic galvanizing Chicago blues with Buddy Guy to a 16-year-old playing building complex post-bop duets with Lee Konitz to a group of high school kids re-perfecting Elvis Costello-influenced power pop, the state�s hottest young artists have artistic ambitions that outshine the Hannah Montana pop of their peers.




Quinn Sullivan


Sitting in his parents� basement in New Bedford surrounded by a 6 guitars, 9-year-old Quinn picks out the Beatles� �Blackbird.� His petite fingers creep up and down the fret board forming tortuous chords. Then his young voice joins in, mixture Massachusetts with Paul McCartney�s Liverpudlian accent.


�Blackbird singing in the numb of night!� belts Quinn.


It�s cute, even impressive. But it�s just the tip of Quinn�s brilliance.


After finishing with the Fab Four, he straps on his Stratocaster and plugs in. Blues licks bounce around the basement, reechoing like Clapton�s guitar at its rawest, most chaotic and wild.


�The Beatles and Clapton and Buddy Guy, that�s by and large what I like to listen to,� says the soft-spoken and humble Quinn as he wails away.


�My friends like the stuff on Kiss-108,� he says, making a face like a plate of overcooked lima beans was dropped in front on him.


Guy took the primary school guitar whiz under his wing last yr. Sullivan guests on Guy�s new album, �Skin Deep,� and volition join the blues legend for a tune or two at his Bank of America Pavilion gig on Sunday.


�When I was Quinn�s long time I didn�t know what a guitar was,� Guy aforesaid from a Virginia duty tour stop. �When I observed the guitar I couldn�t afford nonpareil, so I used to put 2 nails in the wall with deuce rubber bands, trying to come up with a guitar sound. So it�s great Quinn�s started so young.


�The first time I brought him onstage I was knocked out by his playacting,� Guy continued. �He kept looking for up at me like he was saying, �Show me something I don�t already know.� �


The two met a year ago backstage before Guy�s show at the Zeiterion Theatre in New Bedford.


�Quinn gave Buddy his guitar to sign and Buddy asked, �You wanna play a couple riffs on that?� � Quinn�s dad Terry Sullivan recalled. �So he played something and Buddy was just blown away. He said, �You better be ready tonight when I call in you up.� �








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Sunday, 10 August 2008

Novel Assay Finds That Widely Prescribed Anti-Parasite Drug Targets Cancer-Causing Protein

�Researchers at the NYU Cancer Institute and the Ronald O. Perelman Department of Dermatology have identified mebendazole, a drug secondhand globally to treat parasitical infections, as a novel investigational agent for the treatment of chemotherapy-resistant malignant melanoma.


Because most patients with metastatic melanoma fail to react to useable therapies, the discovery of a viable investigational discourse with an established safe profile could address a serious unmet need in oncology. Effectively sidestepping the prohibitive costs and long lead multiplication typically required to discover new genus Cancer medicines, the NYU squad screened a library of already approved drugs for activity against the near deadly shape of skin cancer.


Their report, which was selected for throw out online publication by Molecular Cancer Research, is promulgated in the August consequence of the journal. Since submitting the article for publication, the authors have conducted extra pre-clinical studies of mebendazole in an in vivo model of chemotherapy-resistant malignant melanoma and ar now preparing a phase angle I clinical trial, expected to start next year at NYU Cancer Institute.


"While rational drug plan remains a perfectly valid way to develop crab therapies, we also penury approaches that are less costly and more productive of new effective treatments," said lead author Seth J. Orlow, M.D. Ph.D., Chair of the Ronald O. Perelman Department of Dermatology at New York University School of Medicine. "You could say this is more than of a guerrilla approach. Instead of screening millions of untested compounds for an factor that inhibits or stimulates a special molecular target, we chose to screen a turgid library of already approved drugs for novel activity against malignant melanoma cells, and then upgrade the to the highest degree promising candidate rapidly to clinical practice."


First, the NYU researchers screened a library of 2,000 well-known drugs [Spectrum Collection (Microsource Discovery Systems)] and identified members of the benzimidazole kinsperson for their ability to inhibit melanoma growth and induce programmed cell death (apoptosis) of malignant malignant melanoma cells without affecting normal melanocytes (pigment-producing cells). Of the identified benzimidazoles, the team selected mebendazole for further work because it was known to be a well-tolerated, orally available drug with anti-cancer properties.


In a surprising find, the team found that mebendazole takes advantage of a exceptional difference 'tween a malignant melanoma cell and normal melanocytes. Melanomas produce high levels of a protein called Bcl-2, which is known to protect certain cancer cells from apoptosis. The team sawing machine that when a malignant melanoma cancer cell was exposed to mebendazole, it resulted in inactivation of Bcl-2, allowing programmed cell death to occur.


Mebendazole, sold as a generic drug in the United States, has been used since the 1970s to process roundworm, hookworm, pinworm, whipworm, and other worm-based parasitical infections. Previous research has shown it to have some anticancer activity in lung and adrenocortical crab.


"Our ability to identify novel treatments for melanoma and advance them chop-chop into the clinic identical much depends on NYU's multidisciplinary approaching to melanoma care and research," Dr. Orlow aforesaid. "To be effective, translational medicine cannot be unidirectional. Discovery moves continuously back and forward between the clinic and the bench. We are now focused on determining the chain of mountains of doses to be tested in the clinic, whether specific types of melanomas will respond better than others, and whether combining mebendazole with other agents testament be of further benefit"


The authors of this study are NYU Cancer Institute researchers Nicole Doudican, Adrianna Rodriguez, Iman Osman, and Seth J. Orlow. The study was supported by private beneficent grants.

NYU Langone Medical Center / New York University School of Medicine


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Tuesday, 1 July 2008

VH1 Classic Celebrates The Who With a Week of Programming Leading Up to the Premiere of 'VH1 Rock Honors: The Who' Beginning on Saturday, July 12

NEW YORK, July 1 -- Legendary. Celebrated. Renowned. The
Who. Beginning on Saturday, July 12, VH1 Classic pays homage to The Who
with 5 days of exclusive programming leading up to the premiere of "VH1
Rock Honors: The Who" premiering on VH1 on Thursday, July 17 at 9:00 PM.
The week of exclusive Who programming will feature concerts, programs and
movies.

"Rock Doc Amazing Journey: The Story of The Who" Airs on Saturday, July
12 at 9PM ET/PT

"Amazing Journey: The Story of The Who" is an exhilarating
feature-length film about one of the most influential rock bands in
history. Spanning over four decades, the film tells the unfolding story of
The Who, from the group's origins as a 1960's schoolboy R&B cover band,
through their meteoric rise and artistic breakthroughs, to the infighting,
the breakups and reconciliations. The film features all-new,
never-before-seen interviews with Pete Townshend, Roger Daltrey and others,
rare and recently discovered concert footage, artist profiles and more.

"On Tour: The Who Virtual Ticket" Premieres on Sunday, July 13 at 9PM
ET/PT

"On Tour: The Who Virtual Ticket" gives viewers an all-access pass to
the lives of one of the greatest rock and roll bands of all time, The Who.
The cameras will follow the jet setting band as they travel from show to
show, and chronicle their daily activities from when they get out of bed
until the last chord is played. "Virtual Ticket" will let you see the hard
work and preparation that goes into planning a world tour. Fans will get an
in depth look as Peter and Roger discuss life as apart of The Who and the
ups and downs they have had to face on their long journey to success.

"The Who: Six Quick Ones" Premieres on Monday, July 14 at 9PM ET/PT

A feature film and the sister project to "The Story of The Who," "The
Who: Six Quick Ones" is a six-part film which integrates sessions with each
individual member of the band and links The Who to the Mod and Pop Art
movement. It also takes a look into the recording of their latest album.
Throughout the episode each member will showcase his musical abilities in
the first four segments.

"Classic Albums: The Who 'Who's Next' "Airs on Monday, July 14 at 11PM
ET/PT

"Who's Next" reigns as 'the' classic album. It demonstrates both the
excellent writing abilities of Pete Townshend and in nine tracks shows just
why The Who is considered to be the greatest exponent of British rock
music. Pete gives a performance to remember when he plays "Pure and Easy,"
from the "Lifehouse" album for the first time in 20 years. Roger Daltrey
reminisces over the negatives of using pre-recorded music during live
shows.

"Rock and Roll Picture Show: Tommy" Airs on Tuesday, July 15 at 9PM
ET/PT

Tommy is the story about a troubled boy, who, after his father's death
withdraws himself from the rest of the world. He soon finds that he has an
amazing talent and gains fame by defeating the Pinball Wizard, played by
Elton John. The movie chronicles Tommy's rise to fame and fall to shame,
meanwhile giving viewers an amazing soundtrack, scored by The Who's
"Tommy." Witness a legendary album and watch some of rock and roll's
greatest musicians as they bring this 'rock opera' to life. Starring Roger
Daltrey, Ann Margret, Elton John, and more.

"Electric Proms: The Who" Premieres on Wednesday, July 16 at 9PM ET/PT

Legendary rock band The Who showcase their musical talents in front of
a sold-out London crowd at the Roundhouse. Hit after hit is churned out as
each member belt out tunes that leave the crowd ecstatic. Baba O'Riley gets
the crowd going with her extended version of "My Generation." Roger Daltrey
follows up with his timeless hit "Pinball Wizard" from the 'rock opera'
"Tommy" and Pete Townshend shows why he is considered a guitar genius when
he performs "See Me, Feel Me." Zac Starkey, Ringo Starr's son, fills in for
Keith Moon on the double drum kit.

"VH1 Rock Honors: The Who" Premieres on Thursday, July 17 at 9PM ET/PT

For the first time ever, fans will have the opportunity to see some of
the biggest names in rock together on one stage during the third annual
"VH1 Rock Honors" event paying homage to legendary British rock band The
Who. "VH1 Rock Honors: The Who" will deliver a night of high-voltage
tribute performances by Pearl Jam, Foo Fighters, The Flaming Lips and
Incubus all leading up to the spectacular grand finale performance by The
Who as they rock the stage.

Launched in May 2000, VH1 Classic is a 24-hour network that present
videos, concerts and music specials all day long, featuring the best of
rock, soul and pop artists from the 60's, 70's and 80's, including The
Beatles, The Stones, Tina Turner, Led Zeppelin, Marvin Gaye, The Who,
Stevie Wonder, The Police, Madonna and many more. Learn more at
VH1Classic.com.

Contact: Maura Wozniak/VH1



212-846-7325




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Friday, 27 June 2008

Superstar Artist Usher Announces New Album 'Here I Stand' For Worldwide Release May 27th

MTV Video Premiere For 'Love In This Club' Will Air Exclusively Across MTV,
BET and VH1 Networks on April 7th
Smash single 'Love In This Club' Heats Up The Charts

NEW YORK, April 2, 2008 -- LaFace/Zomba recording artist
Usher sets to release his eagerly awaited album "Here I Stand" on May 27th.
Originally scheduled for a June release the highly anticipated album has
been pushed up in order to satiate increasing global demand from all of his
fans. The video for "Love In This Club" will make its worldwide debut on
MTV April 7th and the latest smash hit sits comfortably at #2 as the weeks
greatest Airplay Gainer on the Billboard Hot 100 singles chart.

Usher's newest single, "Love In This Club," features Young Jeezy, and
is co-written by Usher and produced by Polow Da Don. The smash hit
currently holds the #2 position on both the Hot 100 and Hot Digital Tracks
charts. The song became his eighth #1 hit and is the lead single from his
forthcoming, fifth studio album, Here I Stand. The video for "Love In This
Club" was directed by the rising directing tandem of the Brothers Strause
and will have its worldwide debut on MTV, BET and VH1 on April 7th.

Slated for global release on May 27th, Here I Stand is Usher's
follow-up to his history-making, 9x platinum-selling Confessions. Within
the first week of the release of Confessions, Usher sold more than any
other R&B artist in the history of SoundScan. The album spawned four #1 hit
singles and Usher spent 40 weeks in the No. 1 position on The Billboard Hot
100- which is more than any other male artist in the nearly 50 year history
of the chart. Worldwide, the multi-talented, five-time Grammy-winner,
musician and actor has sold nearly 14 million copies of Confessions and it
earned a multitude of honors including MTV, BET, and People's Choice
awards.

Over the span of his 14-year career, Usher has sold close to 26 million
albums worldwide and combining all of his single, album and DVD sales, he's
sold in excess of 36 million units globally. With four studio albums, the
eponymous first release, Usher (1994) and multi-platinum albums, the 6x-
platinum My Way (1997),the 4x-platinum 8701 (2001), and the 9x-platinum
Confessions (2004) and one gold-certified live album simply titled Live
(1999), and a string of #1 hit singles including "U Remind Me," "U Got It
Bad," "Yeah," "Burn," and "My Boo" Usher's return to the top of the charts
is inevitable. The Tennessee-born, Atlanta raised performer, songwriter,
producer, dancer, actor started his multi-faceted career at the age of 15-
years old.

Usher Raymond IV has achieved what few other contemporary entertainers
have ever accomplished. He most recently launched a successful line of
signature fragrances, actively heads up his own charity, New Look
Foundation, a camp for teens that teaches them about the entertainment
business, and he is part owner of the Cleveland Cavaliers basketball team.




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FlyTunes(TM) Adds Video, Customization to Mobile Content Network

Over 350 content channels now available on iPhone and iPod Touch

LANCASTER, Pa., May 15 -- FlyTunes Inc. today announced
several major changes to its mobile content network, popularized on the
iPhone and iPod Touch. Beginning today, FlyTunes is adding video and audio
podcasts, a new user interface, and a customizable channel guide. As the
first content network specifically focused on mobile devices, the FlyTunes
network has experienced explosive user growth since its launch in January
at CES.

With over 200 new channels available immediately, the new video and
audio channels cover a wide range of topics, including news, entertainment,
politics, kids & family, health, comedy, business and technology. With
today's additions, FlyTunes now offers users over 350 channels of music,
talk, video and podcast entertainment choices, far more than fee-based
satellite radio services.

To ease users' ability to find the content they want from its
ever-increasing channel options, FlyTunes is also releasing a new,
streamlined user interface that lets users quickly find and select desired
channels from two simple dialog boxes. Each selected channel now displays
more detailed information, including an SMS text message link to allow
users to send friends a direct link to listen in. The new MyGuide feature
allows users to personalize their mobile media experience by enabling or
disabling individual channels and even entire genres from the selection
menu.

"The mobile Internet is a completely new paradigm for content and ad
delivery, very different from traditional broadcast radio and TV," said
FlyTunes CEO Sam Abadir. "FlyTunes offers an unmatched variety of media
that our customers can personalize to match their tastes and enjoy anywhere
they go on the device that they already own."

The new channels, user interface and guide editor are available
immediately to all FlyTunes users. FlyTunes is available at no charge --
new users can sign up at http://www.FlyTunes.fm.

About FlyTunes

FlyTunes Inc. (FlyTunes.fm) was founded as 2006 by a group of seasoned
PC industry veterans to create cutting edge media management technology for
mobile digital media players. In January 2008 the company announced its
revolutionary content network that delivers Internet radio content to
portable cell phones and media players.

FlyTunes, FlyTunes.fm are registered trademarks. All other trademarks
and trade names are the property of their respective owners.




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